la-femme-terrible:Pier Paolo Pasolini and Maria Callas kiss in
“Espío con mi ojo alegre el aliso de mi pecho amargoy
Son sólo 120 días con Pasolini, nada más.
Todas mis noches, toda mi vida.-
pierpaolopasolini: Pasolini e Maria Callas sul set di Medea
I see the dull flame of desire.-
Always via Pasolini.
By Sara Joncas Photograf — PIER PAOLO PASOLINI—-Lo
neo-catharsis: La Ricotta (Ricotta) - Pier Paolo Pasolini,
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le-plus-beau-des-mensonges: Maria Callas and Pasolini on the
showstudio: Still from “Salo or the 120 Days of Sodom”,
dirtynewmedia: Fr0/\/\_P/-\Ũ£!/\/!_D3c/-\/\/r0/\/…\/\/0rK_!/\/_pr0gr3$$
dirtynewmedia: D3c@/\/r0N by P.P.P4S0L!/\/! - - -> -
marcelswann: Teorema -about Pasolini- www.marcelswann.com Instagram:
2 novembre 1975
2 novembre 1975
Ph. Terry Richardson (Memorial monument for Pier Paolo Pasolini
Gentlemen Take Polaroids
polworld.tumblr.com/post/83272383978/
polworld.tumblr.com/post/83378444227/
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Basta ai giovani contestatori staccarsi dalla cultura, ed eccoli
Ipocriti. Le battaglie di civiltá #Pannella non le ha fatte
Eugenio Cefis
fohk: Salò, or the 120 Days of Sodom (1975) dir. Pier Paolo
jafcord: John McLaren - british-canadian actor, seen here
johannesbrahms: Posters for “Salò or the 120 days of Sodom”,
Pier Paolo Pasolini’s Teorema 1968
wehadfacesthen: Italian star Silvana Mangano, 1948, photo by
lapitiedangereuse: Hope is a terrible thing - Pier Paolo Pasolini.
therestlessdecade: Bologna, 1975. Fabio Mauri's Intellettuale as
tomasramon: Pasolini prossimo nostro (Giuseppe Bertolucci,
goregirlsdungeon: Accattone (1961) directed by Pier Paolo Pasolini
goregirlsdungeon: Accattone (1961) directed by Pier Paolo Pasolini
miss-catastrofes-naturales:Pier Paolo Pasolini