harmaofthalmon: A man painting his shadow-Andre Kertesz 1927
varietas: Berkó Ferenc: Fogászat, Bombay, 1939.
pointflux.tumblr.com/post/45101939152/
kateoplis: “Tradition is the illusion of permanence.” — Woody
Frederic Chagnard ‘Waiting’
amospoe: “Now I can look at you in peace; I don’t eat you
adelphe: As light as thistledown, as graceful as the ballet
african-wildchild: My ninja brethren.
boykitty: Gustav Klimt drawing
lustik: DOPPELGANGER, SWARM THEORY - Melanie Chikofsky
loverofbeauty: Raul Amaru Linares
butisitartphoto: nevermind goodbye
nevver: Fight of the Century, March 8, 1971
butisitartphoto: Chairwall #2
workman: wowgreat: Fransicso Castro, White, Black, and Red Acrylic
chamanka: human-activities: L’Atalante (Jean Vigo, 1934)
quae-non-apta: valscrapbook: inritusStudent facing corner next
moonkaa: are you still there?
lawrencecox: Caught this creature running around my room this
nevver: When we were Kings
habjouqa: A sassy 13-year- old ballerina commandeers my camera
secretcinema1: Lonely Metropolitan, 1932, Herbert Bayer
semioticapocalypse: Francesca Woodman. Untitled, Providence,
butisitartphoto: Soot Accumulated
pointflux.tumblr.com/post/44936238594/
loverofbeauty: Iguazu Falls, on the border of Argentina and
lusitanglory: Gilbert Garcin Courir après le temps - Chasing
Undertone Vito Acconci , 1972
lottereinigerforever: Charlie Chaplin
pointflux.tumblr.com/post/44700291191/
loverofbeauty: Jay Mark Johnson
Miru Kim’s Naked City Spleen series is probably the most
workman: andrtlfr: 1272 by framafo.de on Flickr.
pointflux.tumblr.com/post/44699999320/
matthewivancherry: francoise bard prisonnier @ huile sur
lottereinigerforever: Monica Vitti