driflloon: simone rocha fw15
theviolentgarden: Oblique Strategies by Brian Eno & Peter
phdonohue: what wall?, eric owen moss, 1998 | culver city, california
redlipstickresurrected: A Weyer aka Anja Weyer (German, b. 1969,
palmandlaser: Glenn Gustafson, from Graphic Artists Guild’s
grogg1112: I’m wasting my youth and beauty being a mysterious
moripuff:DEW Magazine #22
ninetypercentangel: “Kiss Me, I’m Delicious” — photographed
white void
allenandeldridge:Joey Frank, UNSAFE PLUG, 2016, Light switch
versusastra: Visions in Meditation(1989) Stan Brakhage
2gothic: Urge to Destroy by Del Kathryn Barton
Impossible conversations
babefield: matildaellis: Girls that play with fire me
mraudr.tumblr.com/post/153768140453/
fundamentalpainting:Morris Louis
speak-low: The Lobster, Yorgos Lanthimos.
rosescentimental: https://instagram.com/p/BMnL6PEBvtc/
dappledwithshadow: Yayoi KusamaCloud Dimensions: 9.53 X 10.71
fondsuggestion: keep creating your art. please.
mraudr.tumblr.com/post/153669191728/
COULEURS
yan-wo: Ikebana Fruits & Vegetables, Yokoi Toshie
人
miffly: goose goose-neck lamp… perfect
visual-poetry:from the »honest stamps« series by dominic wilcox
pressworksonpaperblog: from “beyond the bath: a dreamer’s
DROMIK
tru: Marta Bevacqua
thunderstruck9: Dan Colen (American, b. 1979), Va-va-va-vorticism,
forget me
BITE BACK
Ah, Mingus Dew!
8☠N6!N6
westside-historic: Suicidal Tendencies’ vinyl debut on Frontier
garadinervi: IDEA magazine, 166, 1981, Ikko Tanaka / World