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lacma:  This is the final weekend to see Thomas Cole’s   masterpiece, The Course of Empire (1834–36) at LACMA.   The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma:  This is the final weekend to see Thomas Cole’s   masterpiece, The Course of Empire (1834–36) at LACMA.   The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma:  This is the final weekend to see Thomas Cole’s   masterpiece, The Course of Empire (1834–36) at LACMA.   The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma:  This is the final weekend to see Thomas Cole’s   masterpiece, The Course of Empire (1834–36) at LACMA.   The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma:  This is the final weekend to see Thomas Cole’s   masterpiece, The Course of Empire (1834–36) at LACMA.   The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma:  This is the final weekend to see Thomas Cole’s   masterpiece, The Course of Empire (1834–36) at LACMA.   The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are

published on: 2015-06-16 16:23:19

Ms. Class

Ms. Class

Ms. Class

Ms. Class

3xcess:  Olesya by   Dennis Drozhzhin

3xcess: Olesya by  Dennis Drozhzhin

aubreylstallard:  Sanyu, Chrysanthemums in a Glass Vase, 1950s

aubreylstallard: Sanyu, Chrysanthemums in a Glass Vase, 1950s

thunderstruck9:  Daniel Richter (German, b. 1962), Ohne Titel,

thunderstruck9: Daniel Richter (German, b. 1962), Ohne Titel,

thunderstruck9:  Zhang Xiaogang (Chinese, b. 1958), Private Notes

thunderstruck9: Zhang Xiaogang (Chinese, b. 1958), Private Notes