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imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor
imakethemovies: The RoadDOP – Javier Aguirresarobe Format - Arricam LT 500T Lenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 2.35 : 1 Delivery - Digital Intermediate 2K, 35mm Anamorphic PrintsNotable Strengths – Low Light, Outdoor

published on: 2015-02-16 19:37:16

Pay your respects to the vultures

Pay your respects to the vultures

memoriastoica:Neon Signs in Brian De Palma’s Blow Out (1981)

memoriastoica:Neon Signs in Brian De Palma’s Blow Out (1981)

shiver-rayfresh:Lines & Curves© Shiverwww.rayfresh.com

shiver-rayfresh:Lines & Curves© Shiverwww.rayfresh.com

primary-elements:Stoya.

primary-elements:Stoya.

antox-united: Nirvana at the Paramount (1991)

antox-united: Nirvana at the Paramount (1991)

ferretfyre: Apocalypse Now (1979)

ferretfyre: Apocalypse Now (1979)