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nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust
nexttoparchitects:via ewan morrisonThe elevated architectures of Dionisio González (1965 -). They look like retro modernist experiments but are actually playfully surreal photomontages#next_top_architects in #NEXTarch We Trust

published on: 2021-07-29 15:26:45

girlsingreenfields:Carla Bruni photographed by Steven Meisel

girlsingreenfields:Carla Bruni photographed by Steven Meisel

popularcultures: Willow photographed by Atiba Jefferson for

popularcultures: Willow photographed by Atiba Jefferson for

lamorbidezza:Maison Martin Margiela Spring 2001 

lamorbidezza:Maison Martin Margiela Spring 2001 

leflambeur:By Zoe Ghertner for Double Magazine

leflambeur:By Zoe Ghertner for Double Magazine

colinking:sunday at the guggenheim. (at Solomon R. Guggenheim

colinking:sunday at the guggenheim. (at Solomon R. Guggenheim

22ackermann: FILLES de KILIMANJARO by WENDT………..No.1

22ackermann: FILLES de KILIMANJARO by WENDT………..No.1