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nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the

published on: 2014-10-19 16:48:08

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