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bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—
bolma:  birdfingers:  diancie:  tokomon:  Aishwarya Rai in Silsila Ye Chahat Ka from Bhansali’s Devdas (2002).  The level of glamour and ethereal aesthetics of a girl keeping a lamp continuously lit for her love since being separated in childhood—

published on: 2016-11-14 06:08:56

oqal:  bonjour-manger-bitte:  oswinstark:  wayhaughtt: Traveling

oqal: bonjour-manger-bitte: oswinstark: wayhaughtt: Traveling

tarotempura.tumblr.com/post/153161523185/

tarotempura.tumblr.com/post/153161523185/

zelo-never-dies:  gee I wonder who tossed yuuri that one

zelo-never-dies: gee I wonder who tossed yuuri that one

chromrade:  this is a Gamer Only Joke. Only Gamers will get this

chromrade: this is a Gamer Only Joke. Only Gamers will get this

fightthemane:  hostagesandsnacks:  childrentalking:  itwashotwestayedinthewater:

fightthemane: hostagesandsnacks: childrentalking: itwashotwestayedinthewater:

yaoi-sensation:  dab on ice

yaoi-sensation: dab on ice