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fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera
fuckingfreud:  maya deren & talley beatty, {1945} a study in choreography for camera

published on: 2016-04-27 06:30:17

theartofmoviestills:  A Study in Choreography for Camera | Maya

theartofmoviestills: A Study in Choreography for Camera | Maya

rawforms:   Mary Daniel Hobson. In memory 1996

rawforms: Mary Daniel Hobson. In memory 1996

les-sources-du-nil:  Alfredo Rubalcava, still from the film ‘The

les-sources-du-nil: Alfredo Rubalcava, still from the film ‘The

imaginationmortimagine:  Robert Bresson. Headless, 1932

imaginationmortimagine: Robert Bresson. Headless, 1932

regardintemporel:  Leonard Frank Duch - I am an artist, 1979

regardintemporel: Leonard Frank Duch - I am an artist, 1979

regardintemporel:  stephaniadapolla:  journal inédit © Stephania

regardintemporel: stephaniadapolla: journal inédit © Stephania