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writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote
writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerly things, writing

published on: 2022-04-27 00:11:08

shiftythrifting:— Overcommercialization of a glorified tech

shiftythrifting:— Overcommercialization of a glorified tech

gryffon:I recently learned that the reason its common across

gryffon:I recently learned that the reason its common across

natalieironside:Ursula K. Le Guin’s 1969 novel The Left

natalieironside:Ursula K. Le Guin’s 1969 novel The Left

montereybayaquarium:What did the decorator crab say after molting?

montereybayaquarium:What did the decorator crab say after molting?

oattoast:oattoast:I tried holding my binoculars up to my phone

oattoast:oattoast:I tried holding my binoculars up to my phone

carpisuns:dransnake-archived:Alright kids, we’re at the

carpisuns:dransnake-archived:Alright kids, we’re at the