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really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates
really-shit:  Musée des Confluences designed by  Coop Himmelb(l)auThe Musée des Confluences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates

published on: 2015-06-13 03:21:08

studiodrift:  Somewhere between the late medieval age and the

studiodrift: Somewhere between the late medieval age and the

irakalan:  EGOISMArtist & Art Project Manager DAVID MESGUICH

irakalan: EGOISMArtist & Art Project Manager DAVID MESGUICH

Allow yourself to love

Allow yourself to love

maximalcatpossible:  temedobe:  semesasuukenaru:  supersuperaldy:

maximalcatpossible: temedobe: semesasuukenaru: supersuperaldy:

whitechapelwitch:  >>x<<

whitechapelwitch: >>x<<

The Promise Land

The Promise Land