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Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph
Kelli Connell photography, Double Life  These images were created from scanning and manipulating two or more negatives in Adobe Photoshop. Using the computer as a tool to create a “believable” situation is not that different from accepting any photograph

Kelli Connell, photography, Double Life, sexuality, intimate, contemporary photography, contemporary art, identity

published on: 2013-08-14 22:35:17

Paul Outerbridge photography, 1950

Paul Outerbridge photography, 1950

Liz, Doctor Faustus, 1967

Liz, Doctor Faustus, 1967

painting by Morteza Katouzian

painting by Morteza Katouzian

Yesenia Linares by Michael Nagin * beauty shots

Yesenia Linares by Michael Nagin * beauty shots

Krista Breznau photography

Krista Breznau photography

gatchino.tumblr.com/post/58379969999/

gatchino.tumblr.com/post/58379969999/