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thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor
thefilmfatale: In The Aviator, director Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor

published on: 2015-06-04 06:47:09

fanoftheworldofthemouse:Splash Mountain by Disney_Nuts on Flickr.

fanoftheworldofthemouse:Splash Mountain by Disney_Nuts on Flickr.

like daydreaming, but at night

like daydreaming, but at night

summer

summer

gatheringbones: I was losing, now we’re drawingI’m not afraid

gatheringbones: I was losing, now we’re drawingI’m not afraid

buzzfeed: Earlier this week, Amy Schumer won the Trailblazer

buzzfeed: Earlier this week, Amy Schumer won the Trailblazer

laughingsquid: A ‘Star Wars’ Teapot That Looks Like R2-D2

laughingsquid: A ‘Star Wars’ Teapot That Looks Like R2-D2