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philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment
philosophyquotes:  “Taking a new step, uttering a new word, is what people fear most.” — Fyodor Dostoyevsky, Crime and Punishment

published on: 2018-09-24 14:29:55

philosophybits:  “Truth, like light, blinds. Falsehood, on

philosophybits: “Truth, like light, blinds. Falsehood, on

uutpoetry:  “The body proposes an algebra which has no solution”

uutpoetry: “The body proposes an algebra which has no solution”

yesterdaysprint:   The Cincinnati Enquirer, Ohio, June 9, 1929

yesterdaysprint: The Cincinnati Enquirer, Ohio, June 9, 1929

artsytoad:  H.R. Giger, Organic Matter III   www.artsytoad.tumblr.com

artsytoad: H.R. Giger, Organic Matter III www.artsytoad.tumblr.com

ritualdemoness:  nightmare-on-em-street:  “I’m not getting

ritualdemoness: nightmare-on-em-street: “I’m not getting

lelaid: Lisa Lyon by Helmut Newton, Paris, 1980

lelaid: Lisa Lyon by Helmut Newton, Paris, 1980