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museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t

photography, portrait, contemporary art, thomas ruff

published on: 2013-09-24 18:00:18

lostlilac: Claude Monet 

lostlilac: Claude Monet 

masterpiecedaily: Correggio Vision of St John on Patmos 1520-24

masterpiecedaily: Correggio Vision of St John on Patmos 1520-24

loftcultural: Salvador Dali - The Ants (1937)

loftcultural: Salvador Dali - The Ants (1937)

thusreluctant: Foggy Bank, Rocky Neck by John Sloan

thusreluctant: Foggy Bank, Rocky Neck by John Sloan

Jean-Baptiste Greuze (Tournus 1725 - Paris 1805), Indolence (La

Jean-Baptiste Greuze (Tournus 1725 - Paris 1805), Indolence (La

theories-of: Johsel Namkung

theories-of: Johsel Namkung