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hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you
hamster-rage: It turns out, when you write a character solely for other character’s development, you invariably make an interesting character and maybe next time don’t use one character as the emotional and physical punching bag of a show if you

published on: 2020-03-29 01:44:26

thevirus-queen: So I’m finished with the Steven Universe and

thevirus-queen: So I’m finished with the Steven Universe and

hamster-rage: So…Did Lapis never apologise about trapping her? 

hamster-rage: So…Did Lapis never apologise about trapping her? 

littlelarimar: Jasper was born in a fixed war from a rush job

littlelarimar: Jasper was born in a fixed war from a rush job

why-yes-i-am-an-adult: bowtothetangerinequeen: hamster-rage:It

why-yes-i-am-an-adult: bowtothetangerinequeen: hamster-rage:It

giltori: PIERCE THE HEAVENS WITH YOUR GEM!!!Second commission

giltori: PIERCE THE HEAVENS WITH YOUR GEM!!!Second commission

r-neophyte: I finished this piece today and I call it “Silksong

r-neophyte: I finished this piece today and I call it “Silksong