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coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished
coolghost182: arpeggia: Romain Crelier - La Mise en Abîme, 2013, used oil, metal, at the Abbey-church of Bellelay, Switzerland “Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished

published on: 2013-08-19 15:23:48

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Sans Terminus

Sans Terminus

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dynamicafrica: cyberteeth: Chimamamda Ngozi Adiche, We Should

dynamicafrica: cyberteeth: Chimamamda Ngozi Adiche, We Should

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f-l-e-u-r-d-e-l-y-s: Gravity-Defying Land Art by Cornelia Konrads

f-l-e-u-r-d-e-l-y-s: Gravity-Defying Land Art by Cornelia Konrads

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