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stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba
stevhoa: Many of Miyazaki’s male characters carry a curse of some sort, an expression of internal conflicts: Ashitaka’s toxic arm in Princess Mononoke, Marco’s pig face in Porco Rosso (Kurenai no Buta, 1992), Haku’s magic indenture to Yubaba

hayao miyzaki, studio ghibli, films

published on: 2020-05-02 20:49:52

inscendence

inscendence

we love period drama

we love period drama

neillblomkamp: Rainbows in Cinema: [37/???] Suspiria (1977)

neillblomkamp: Rainbows in Cinema: [37/???] Suspiria (1977)

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