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sacreddoe: I don’t think of it as me directing actors. I’m just entering Song’s world, the vast universe that he occupies. He has a unique rhythm and tempo. Working with Song is something I feel confident in. But it’s important to have new challenges
sacreddoe: I don’t think of it as me directing actors. I’m just entering Song’s world, the vast universe that he occupies. He has a unique rhythm and tempo. Working with Song is something I feel confident in. But it’s important to have new challenges
sacreddoe: I don’t think of it as me directing actors. I’m just entering Song’s world, the vast universe that he occupies. He has a unique rhythm and tempo. Working with Song is something I feel confident in. But it’s important to have new challenges
sacreddoe: I don’t think of it as me directing actors. I’m just entering Song’s world, the vast universe that he occupies. He has a unique rhythm and tempo. Working with Song is something I feel confident in. But it’s important to have new challenges

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published on: 2020-04-27 14:16:52

dykehaus: Hilma af Klint, Group IX | The Swan, No. 1, 1915

dykehaus: Hilma af Klint, Group IX | The Swan, No. 1, 1915

movie-gifs: Girl, you’ll be a woman soon ♪♪♫♫ PULP

movie-gifs: Girl, you’ll be a woman soon ♪♪♫♫ PULP

rokenford: God when is art nouveau going to make a comeback.

rokenford: God when is art nouveau going to make a comeback.

bongjoonsho:Grace Kelly as Lisa Carol Fremont in Rear Window

bongjoonsho:Grace Kelly as Lisa Carol Fremont in Rear Window

quotemadness: “Close some doors today. Not because of pride,

quotemadness: “Close some doors today. Not because of pride,

dailyhorrorfilms: You’re the imposter. I’m not gonna take

dailyhorrorfilms: You’re the imposter. I’m not gonna take