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davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
davidlynch:  Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger

the red shoes, michael powell, emeric pressburger, films

published on: 2020-02-07 17:08:46

salwarremade:

salwarremade:

zedayacoleman:  ZENDAYA & LUPITA NYONG’OLancôme’s Teint

zedayacoleman: ZENDAYA & LUPITA NYONG’OLancôme’s Teint

sheer delight and gratitude;

sheer delight and gratitude;

spockvarietyhour: Better to be king for a night than schmuck

spockvarietyhour: Better to be king for a night than schmuck

womanhouse:eva antilla, white veil, 1950, tapestry hanging (woven)

womanhouse:eva antilla, white veil, 1950, tapestry hanging (woven)

violentwavesofemotion:  Guillaume Apollinaire, tr. by Anne Hyde

violentwavesofemotion: Guillaume Apollinaire, tr. by Anne Hyde